Clover’s yellow house is on one side of
the fence; Annie Rose’s is on the other side, the white side. Both have heard
their mothers’ warnings not to cross over. Set in a bygone time, perhaps the
early 1950s or 60s, Jacqueline Woodson’s The Other Side is narrated by
Clover, who is quietly curious about her young neighbor and watches as she
plays in the rain and, eventually, sits atop the fence. The free-spirited Annie
introduces herself and invites Clover to join her because “a fence like this
was made for sitting on.” Over the course of the summer, Clover and Annie’s
friendship grows as they sit on the fence watching the world around them.
Finally one day, Clover’s friends join in on jumping rope with Annie and,
tuckered out, they sit in one long line atop the fence, together. “Someday
somebody’s going to come along and knock this old fence down,” Annie says.
Clover nods. “Yeah,” I said. “Someday.” Young readers will understand the
metaphorical nature of this beautiful, graceful story and the power of the
girls’ friendship. E. B Lewis’s luminous illustrations are exactly the right
complement, sustaining the gentle emotion of Woodson’s words. Ages 5 up.
100 Days 100 Books highlights fiction and nonfiction books for young people that represent values of fairness, justice, courage, creativity, and respect for and participation in a democratic society. Many are about life in America, historically and in the present. Some are familiar; others may introduce readers to experiences beyond their own. All reflect our rich legacy in literature for young people and the belief that reading opens doors to understanding.
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Friday, March 3, 2017
Thursday, March 2, 2017
Horton Hears a Who, by Dr. Seuss -- Day 42
Horton the elephant had already proved
his worth as a loyal, persevering friend in Horton Hatches the Egg when
author and illustrator Theodore Geisel, best known as Dr. Seuss, wrote Horton
Hears a Who, published in 1954. While splashing in a pool in the Jungle of
Nool, Horton hears a yelp coming from a small speck of dust. When he learns
that not only is there a person there but a whole town called Who-ville,
Horton pledges to save them “Because, after all, a person’s a person, no matter
how small.” Pitted against the black-bottomed eagle Vlad Vlad-i-koff and the
Wickersham Brothers, Horton stands by the Mayor of Who-ville and his
community, exhorting them to make their presence known. “Mr. Mayor! Mr. Mayor!”
Horton calls. “Mr. Mayor! You’ve got to prove now that you really are there! So
call a big meeting. Get everyone out. Make every Who holler! Make every Who
shout!” Despite the hullabaloo they raise, the Whos need still more voices to
be heard when Jo-Jo, just bouncing his yo-yo, finally adds his Yopp, and “That
one, small extra Yopp put it over,” saving their community on that speck on
that clover. Readers readily understand that Horton stands by the little guys
and the little guys speak up loudly for themselves in this irresistible,
rhyming saga. Ages 5-9.
Wednesday, March 1, 2017
The Music in George’s Head: George Gershwin Creates Rhapsody in Blue, by Suzanne Slade, illustrated by Stacy Innerst -- Day 41
American pianist and composer George
Gershwin’s music is no doubt familiar to most adults, perhaps through the
musicals Porgy and Bess and An American in Paris. His works spanned
musical genres – jazz, classical, blues, ragtime, in addition to Broadway
musicals. The picture book biography The Music in George’s Head: George
Gershwin Creates Rhapsody in Blue is as lively and affecting as his songs.
Its rhythmic text twirls across the pages as if dancing with the blues and
grays of the dynamic illustrations. Words and pictures together truly convey
what inspired Gershwin’s music: listening to the city sounds around him, the
music of the streets capturing his soul. Author Suzanne Slade and illustrator
Stacy Innerst collaborate seamlessly, introducing readers to Gershwin’s early
influences and short lifetime, ultimately focusing on the creative process that
generated the magnificent Rhapsody in Blue. As a reader, one feels very present
at New York City’s Aeolian Hall premiere in February 1924 – a concert entitled
“An Experiment in Modern Music” where jazz and classical music met in
Gershwin’s unique style. The presence of music in one person’s life and the
power of music shared over decades of time are brought home. An author’s note,
a timeline and a bibliography add even more to this exhilarating book. Ages
7-11, plus anyone who loves Gershwin, music or the creative spirit.
Tuesday, February 28, 2017
Genius of Common Sense: Jane Jacobs and the Story of The Death and Life of Great American Cities, by Glenna Lang & Marjory Wunsch -- Day 40
Readers may learn a new word in the
opening pages of Genius of Common Sense: Jane Jacobs and the Story of The Death and Life of Great American Cities.
Obstreperous, meaning “rowdy” or “boisterous.” That was the word used by
teachers to describe Jane Jacobs in her elementary classrooms, and the same
word could be used to describe the energy that powered Jacobs to become,
mid-twentieth century, one of the most influential thinkers and activists in
the world of urban development and city planning. One of Jane’s favorite
pastimes as she grew up in the “Electric City” of Scranton, Pennsylvania, was
to take the trolley downtown and absorb the variety and vitality of its busy
streets. Not yet twenty years old, she moved to New York with her sister and
took many opportunities to walk the city’s neighborhoods. She imagined how she
would describe modern life to people in the distant past: what might Benjamin
Franklin make of Times Square today? Her love of observing, analyzing and
describing led to her articles in Vogue and Cue magazines, and
she worked as a writer for U.S. government agencies. Jacobs and her husband
established their home in New York’s West Village in the 1940s, and a few years
later Jacobs began her work as associate editor at Architectural Forum
magazine. All the while she voiced her opinions about cities: that the mix of
housing, businesses and people characteristic of urban neighborhoods was the
heart’s-blood of strong communities, that having many ordinary “eyes on the
street” kept neighborhoods strong and safe. Her passion for preserving
neighborhoods prevented, through community action, a huge highway bisecting
lower Manhattan’s Washington Square Park. City planners and developers were
forced to think twice about the effects of wholesale urban renewal and
“planned” communities on the fabric of people’s lives. In 1961 her landmark
book The Death and Life of Great American Cities was published, a
treatise that informs us still today about the vital core of cities and
neighborhoods. Author Glenna Lang has captured beautifully the essence of
Jacobs’s independent thinking and influence in this book for young people.
Wonderful descriptive illustrations by Marjory Wunsch open each chapter, and
profuse archival photographs throughout amplify our understanding of this
fascinating subject. Ages 11 up.
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